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    <loc>https://www.ethnographicmedia.space/projects/podcasts</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-10</lastmod>
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      <image:title>Projekte - Podcasts - qu_erzählen RETHINKING DIFFERENCE</image:title>
      <image:caption>Geschichten erzählen, aber anders. Von den Rändern (her), damit neue Stimmen hörbar werden (können), in ihrem eigenen Namen. Denn Queersein ist mehr als nur eine andere Einstellung zu Körper und Sexualität, «Queerness» ist so viel wie in anderen, neuen Kategorien denken, handeln, leben. Als eine Bereitschaft, Neues zu erleben und auszuprobieren, aber auch Grenzen zu überschreiten - die eigenen, die gesellschaftlich und kulturell gesetzten. Davon erzählt dieser Podcast, von und mit Menschen zwischen Buenos Aires und Zürich, zwischen Dubai und Berlin. Von Yamila Sofia Pita, Andrea Schnyder, Febe Tognina, Chiara Herold, Marion Hischier, Angela Wohleser, Derya Bozat, Dominique Bitschnau, Charlotte Naab, Saskia Kircali, Henrik von Dewitz, Uta Richter, Meret Wälti. Dieser vielstimmige Podcast ist im Rahmen der Winterschool «Queering Podcast» am Institut für Sozialanthropologie der Universität Bern entstanden. Unterstützt durch die Diversity Initiative der Universität Bern.</image:caption>
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    <lastmod>2021-12-01</lastmod>
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    <lastmod>2022-02-04</lastmod>
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      <image:title>Projekte - Summer/ Winter Schools - Winter School 2021: Queering Podcasts</image:title>
      <image:caption>Podcasts sind Teil einer neuen Erzählkultur, die Menschen bewegt. Es geht ums gute Erzählen, um eingängige, spannende Stories, um Einblicke in neue Welten. Das Medium Podcast bietet sich gerade in seiner Intimität dazu an, Geschichten hörbar zu machen, die sich ausserhalb der Norm befinden und es nicht in die grossen Medien schaffen. Doch was braucht es, damit „andere“ Erzählungen artikulierbar werden? Und wie können Menschen, deren Stimmen bisher wenig Gehör fanden, porträtiert werden, ohne dass sie dabei erneut zu den „Anderen“ gemacht werden? Wie lassen sich die Grenzen zwischen dem „Eigenen“ und dem scheinbar „Anderen“ mittels Podcast «queeren» und verschieben? Dozierende: Dr. Serena Dankwa und Christoph Keller (podcastlab.ch) Bildrechte: © Saskia Kircali 2021</image:caption>
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      <image:title>Projekte - Summer/ Winter Schools - Winter School 2020: Curatorial Studies</image:title>
      <image:caption>The following seminar is an introduction to curatorial practice in contemporary art, using the professional itinerary of Tirdad Zolghadr as a case study, focusing particularly on his ongoing program REALTY. The latter is invested in artistic and curatorial strategies which proactively tackle art’s complicity with gentrification. 2017-2019, the program constituted the thematic playing field of the Sommerakademie Paul Klee in Bern. Most recently, REALTY played a key role in the STATISTA initiative on Alexanderplatz Berlin, where the emphasis has been on artists building durable infrastructures that redistribute financial and cultural capital – this among constituencies beyond artists alone. Though the seminar will foreground the development of the REALTY program, in light of its tussles with organizers, policymakers and the real estate sector, it will also attempt to map the field of Contemporary Art at large. Which terminologies, methodologies, and limits of the field are reflected here, which ones can be hoped to critiqued and superseded? Read a recapitulation of the winter school by participant Zainabu Jallo here. Dozent: Tirdad Zolghadr Bildrechte: © les presses du reél 2016</image:caption>
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      <image:title>Projekte - Summer/ Winter Schools - Summer School 2019 Weaving the World: Writing Evocative Ethnographies</image:title>
      <image:caption>The aim of this four-day workshop is to introduce doctoral students to the fundamental features and essential practices of ethnography and ethnographic blogging in the contemporary world. During the workshop participants will learn what distinguishes ethnography from other forms of academic and nonfiction representation. The technique of “Weaving the World,” the seamless linkage of ethnographic description to social analysis will be presented. Participants will be asked to read examples from the work of ethnographers who have, in various ways have attempted to use this technique to evoke social worlds through the evocation of space/place, character, and dialogue. These are strategies that ethnographic writers can use to ensure that the ethnographic writers can use to ensure that readers come to know a people who live in a particular place. Dozent: Paul Stoller Bildrechte: © Paul Stoller (The Ethnographer’s Study)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/1636647505717-TWAO1OPAM60NB07NNZ0W/Wettstein_Detail01.jpg</image:loc>
      <image:title>Projekte - Summer/ Winter Schools - Summer School 2018 Ethnographic Drawing in Practice and Theory</image:title>
      <image:caption>In this summer school we will practice ethnographic drawing and read and discuss theoretical and methodological concepts on drawing in social anthropology. Gaining an overview over the long history of ethnographic drawing in anthropology we will also approach the medium of drawing as ethnographic source. Through our own drawing practice we will try out in this course what Tim Ingold means, when he suggest to follow the materials, to learn the movements and to draw the lines. On the basis of our own and other anthropologist’s drawings we will debate whether it is wise or not to restrict the aim of ethnographic drawing to a method-ology of ‘seeing’ and dismiss artistic ambitions as Andrew Causey instructs us to do. Employing drawing as field research method, we will compare our own visual field notes with those of the early pioneers and the contemporary community of ethnographic drawers, such as Manuel João Ramos. Dozentin: Marion Wettstein Bildrechte: © Marion Wettstein</image:caption>
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      <image:title>Projekte - Summer/ Winter Schools - Summer School 2017 Die Praxis des Field Recording</image:title>
      <image:caption>In diesem praxisbezogenen Workshop lernen die Teilnehmenden grundlegende Techniken des Field Recording kennen. Neben der praktischen Arbeit mit Mikrofonen und Tonaufnahmegeräten nimmt das kritische Hören und Beurteilen des selbst aufgenommenen Materials sowie von Beispielen aus den Bereichen der sonic ethnography, akusmatischen Komposition und Filmtongestaltung breiten Raum ein. Vorkenntnisse in Tonaufnahmetechnik sind ein Vorteil, aber nicht erforderlich. Der Kurs richtet sich vor allem an Studierende, die Field Recording in ihrer eigenen Feldarbeit oder Kunstpraxis einsetzen möchten. Dozent: Reto Stamm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/8740f53b-3488-45d9-b11e-d10700d33250/buoyancy_1280.jpg</image:loc>
      <image:title>Projekte - Summer/ Winter Schools - Summer School 2016 Poetic Framing</image:title>
      <image:caption>Der fünf tägige Kurs widmet sich sowohl ästhetisch-philosophischen als auch praktischen Fragen des Bilder Machens. Nach einer kurzen Einführung in die Semiotik des Films werden unterschiedliche Genres und formale Herangehensweisen des Dokumentarfilms untersucht und Fragen zur Bildkomposition und der Spannung zwischen dem Bildinhalt und dem was außerhalb des Bildes liegt analysiert. Zu jedem Thema gibt es kurze film-praktische Aufgaben, die gemeinsam gesichtet und analysiert werden. Dozent: Kristian Petersen Bildrechte: © Buoyancy, Rodd Rathjen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/1636556997520-MHHHAG39DQ1F95HIWO0E/Bildschirmfoto+2021-11-10+um+15.37.54.png</image:loc>
      <image:title>Projekte - Summer/ Winter Schools - Summer School 2015 Single Shot Cinema</image:title>
      <image:caption>In this hands-on course, we will explore the vocabulary of camera movement and the dramatic impact of the long, single take. Single Shot Cinema is a filming method that re-interprets film language based on the technical developments and possibilities of filmmaking in the digital age. What once only was possible with cranes and the Steadicam is now accessible to everybody. Students will learn the film language based on new technologies and discover how to block actions and characters in a scene and how to choreograph one single shot, using smooth and flexible camera movements that express the drama, emotion, and vision of the director. An important tool will be the ORBIT camera rig, an invention of the professor especially made for the Single Shot Cinema methodology. Dozent: Leonard Retel Helmrich Bildrechte: © Jan Keck 2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ethnographicmedia.space/projects/mentoring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-01</lastmod>
  </url>
  <url>
    <loc>https://www.ethnographicmedia.space/projects/forschung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/4416a23e-dcdf-45b9-94fd-468943ed57b8/2218817C-C4A2-47B9-A65C-B7E2A333F9CB.jpg</image:loc>
      <image:title>Projekte - Forschung - Dr. Darcy Alexandra: Entre Ríos: Surveillance and Futurity in the US-Mexico Borderlands</image:title>
      <image:caption>This research project positions the Sonoran Desert as a vital place from which to study contesting theories of futurity. Within this landscape of deadly migration policies, extractive surveillance infrastructure, and some of the most unique ecological networks in the Americas, the research aims to learn from the multiple stakeholders who are imagining more equitable and livable futures. Foto: Josh Schachter “Entre Ríos” ist Teil des SNF-Projekts: Big Data Lives. Anthropological Perspectives on Tech-Imaginaries and Human Transformations | Projektleitung: Prof. Dr. Michaela Schäuble</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/2c39b3e9-9e3c-4e21-bdf6-8017ddaa38bf/IMG_9502.jpg</image:loc>
      <image:title>Projekte - Forschung - Andrea Bordoli, M.A.: Burnt Creek: Experimental Audiovisual Approaches to Indigeneity and More-than-Human Ontologies in Northern Québec Mining Communities</image:title>
      <image:caption>This project takes place in the mining town of Schefferville and the adjacent Innu and Naskapi indigenous communities of Matimekush and Kawawachikamach, Northern Québec. Its main focus is the impact that mining had and still has on the territory itself and on the life of the indigenous people inhabiting it. Das Projekt ist Teil SNF Sinergia-Projekts “Mediating the Ecological Imperative” | Projektleitung: Prof. Dr. Michaela Schäuble</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5faa8997c94542301effc848/187f771c-5897-4904-96fa-ba96da82d2ce/Life-giving+river+1.jpg</image:loc>
      <image:title>Projekte - Forschung - Mahroo Movahedi, M.A.: A sensory ethnography of Zayanderood (Life-giving River) in Isfahan, Iran</image:title>
      <image:caption>This research is a collaborative process through understanding people’s senses, experiences and memoryescape of the Zayanderood, or “Life-giving river” in the city of Isfahan in Iran. The important aspects in this research is the sensory stimulation of memories via sight, sound and smell, the reporting of the sensual experiences, and the resulting thoughts and imaginations of the participants about past and present places, activities and feelings. Das Projekt ist Teil des PhD Programms Study in the Arts (SINTA) | Betreut von Prof. Dr. Michaela Schäuble</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.ethnographicmedia.space/projects/lehrveranstaltungen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-01</lastmod>
  </url>
</urlset>

